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- <text id=90TT1035>
- <title>
- Apr. 23, 1990: Teen Tough
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Apr. 23, 1990 Dan Quayle:No Joke
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 90
- Teen Tough
- </hdr>
- <body>
- <qt> <l>CRY-BABY</l>
- <l>Directed and Written by John Waters</l>
- </qt>
- <p> He's a rebel; one lewd strand of hair snakes down to his
- cheek. He's an orphan; his parents, the notorious Alphabet
- Bomber (Airport, Barber shop, Car wash, Drug store...) and
- spouse, were electrocuted together long before he turned teen.
- He's Wade Walker, and when the world that has branded him a
- juvenile delinquent weighs too heavily on his high school
- hellcat soul, his eye moistens with a single salty tear. So the
- kids call him Cry-Baby. Says Wade defiantly: "That's Mr. Baby
- to you."
- </p>
- <p> John Waters' teen musical is set in 1954, just before Ike
- gave way to Elvis. Waters, a genially deranged raconteur, has
- been inching toward Hollywood since making his rep decades back
- with scrofulous comedies (Multiple Maniacs, Pink Flamingos) from
- the Baltimore underground. His big-studio debut is a gaudy,
- affectionate memoir of his youth, when Drapes (punks) and
- Squares rumbled for the heart of a girl named Allison (perky Amy
- Locane). Waters' hole card is Johnny Depp, the winsome tough
- from TV's 21 Jump Street, who radiates big-screen grace and
- swagger as Cry-Baby--no easy trick, since he is guying his own
- image.
- </p>
- <p> So are most of the other actors, a motley crew culled from
- the director's pet sources--kitsch movies of the '50s, tabloid
- headlines of the '70s and '80s--who could have met nowhere in
- the world but on a John Waters set. Surfside heartthrob Troy
- Donahue. Media minx Joey Heatherton. Ever fashionable Polly
- Bergen. Andy Warhol icon Joe Dallesandro. Punk pioneer Iggy Pop.
- Legendary bad actress Susan Tyrrell. Norman Mailer's son
- Stephen. As a smarmily sadistic guard, Willem Dafoe. The parents
- of slutty Wanda (Traci Lords) are assayed by Ozzie and Harriet's
- own David Nelson and, in her movie debut, Patricia Hearst. The
- mind wanders: Is this the first time in Hollywood history that a
- famous abducted heiress has played mother to a famous underage
- porn princess?
- </p>
- <p> Then Baldwin and the Whiffles--an Ur-nerd quartet in plaid
- cummerbunds and smug smiles--launch into a rendition of
- Sh-Boom at the charm-school talent show, and Cry-Baby takes off
- to parody paradise. It becomes a real musical (new songs,
- production numbers) and a careering melodrama: Grease with grit.
- Cliches collide, and so do jalopies; lightning strikes; the
- jailhouse rocks. Lovers lose themselves in a French-kissing
- dance that would have been banned on Bandstand.
- </p>
- <p> The movie isn't handsome or measured or seamless--the very
- notion of a well-made film would offend the director's anti
- aesthetic--but once it gets revved up, Cry-Baby is keen fun
- from the onetime Belial of Baltimore. From now on, Hollywood,
- that's Mr. Waters to you.
- </p>
- <p>By Richard Corliss.
- </p>
-
- </body>
- </article>
- </text>
-
-